Following the flux of consciousness in Woolf’s essay, the exhibition allows itself to be inhabited by shifting identities and improbable answers. The conceptual room opens its hidden doors to fiction, to travels outside its premises, no longer wishing to gaze longingly at the horizon, but rather to become the limitless line across which Other spaces are born.

The exhibition focuses on transitive spaces of creation as seen by artists whose lives are bound continuously outward. For the artists’ work to be seen, their own rooms are always in an outsider space, where the artists become unknown guests. The domestic allure of the Harlem brownstone reveals an inner world to its visitors, transforming into a laboratory wherein parallel spaces of folding and unfolding realities emerge.