The first uses of cyanotype were in fact documenting plant’s specimens and are the consequence of a direct contact, a trace of an object that had a physical presence on the receptive surface. The video projected in the space carefully documents the process of film projection – the way an image becomes real with the help of an apparatus –, the eucalyptus trees and their variations, and the natural process of inosculation – branches jointly growing together after touching one another. At the same time, photos of Olivia’s research inhabit the room, pointing towards inosculation as a natural phenomenon resembling a lot the grafting process employed by people for commercial purposes, but also sometimes as an aesthetic experiment. The newly formed tissues are based on a vascular strong connection that spontaneously occur and that is controlled and displayed by nature itself according to its inner rules. The custom-made knife commissioned by Olivia to the artist Stoyan Dechev is placed in proximity of the projection, as a possible ambivalent instrument with multiple functions – cutting the tree branches or the film roll, or even acting as an archaic talisman, dating back to the first discoveries of grafting.